concetto spaziale, la fine di dio

Concetto spaziale/La fine di Dio (1963) Un ovale, come quelli della pittura tardo rinascimentale, dipinto di rosa, tutto crivellato di buchi, alcuni più piccoli, altri più grandi. Nuovo record mondiale per Lucio Fontana. : L Fontana. Browse upcoming and past auction lots by Lucio Fontana. Gagosian is pleased to announce La fine di Dio at the Davies Street gallery in London, curated by Francesco Bonami. At its very core Concetto Spaziale, La Fine di Dio proposes a new model for mankind – no longer the earth-bound man of material possessions, but man as a cosmic being on the brink of the unknowable void. Concetto spaziale, La fine di Dio. above mid-estimate. In any other case that act would have been considered simple vandalism but in this case, considering the subject, it was an act of freedom expressed by an American soldier who was enraged by not having the real Hitler in front of him. Art since 1900: modernism, antimodernism, postmodernism, London: Thames & Hudson, 2004 (9780500285343) Here Concetto spaziale, La fine di Dio is the altar at which Cattelan’s HIM, the figure of small boy visible only from the back, turns out to be none other than Adolf Hitler, kneeling in impossible supplication before an impossible atonement. With a single, deft juxtaposition, the history of … concetto spaziale, la fine di dio signed; titled on the stretcher; signed on the reverse oil on canvas 177.6 by 123cm. “Concetto Spaziale, La Fine di Dio” Lucio Fontana | Italian Art auction La Fine di Dio, (1963-1964), est une série d'œuvres crées sur des toiles ovales de taille identique constellées de trous au pinçon et d'entailles qui sont traversant ou pas. Executed in 1963. II, Milan 1986, p. 469, no. ; 69 3/4 by 48 1/2 in. La Fine di Dio posits what no art work had done before; it articulates the genesis of a new form of expression reflective of the astral age. Concetto spaziale. Concetto spaziale/La Fine di Dio; Concetto spaziale/La Fine di Dio. The present piece, in a yellow evocative of the sun of a new day, beautifully encapsulates Fontana’s belief in a brave new world, accessible through … 14, March 1967, p. 55, illustrated, Enrico Crispolti, Lucio Fontana, Catalogue Raisonné des Peintures et Environments Spatiaux, Brussels 1974, Vol. Creator. Collezione privata. II, Milan 2006, p. 659, no. Lucio Fontana, Concetto Spaziale, La fine di Dio, 1963, olio, squarci, buchi e graffiti su tela, cm 178 x 123 / in 70.1 x 48.4, Courtesy Tornabuoni Arte Mostra Lucio Fontana, Galerie Iris Clert, Parigi, 1964. Cosmic. Realized Price -22%. Maurizio Cattelan Lucio Fontana, collecting@gagosian.com 63 FD 22, illustrated, signed; titled on the stretcher; signed on the reverse. Source. Il suo grande «Concetto Spaziale. Estimate . « Concetto Spaziale, La Fine Di Dio » est considérée comme l’une des œuvres les plus emblématiques de Lucio Fontana du début des années 60. Dipinti. Nel 1922 si sposta in Argentina dove apre uno studio di scultura. Installation view with Maurizio Cattelan, HIM (2001; front), and Lucio Fontana, Concetto spaziale, La fine di Dio (1963; on wall), Artwork, front to back: © Maurizio Cattelan, © Fondazione Lucio Fontana. Marlborough Galleria d'Arte, Rome A. Spada, Brescia Acquired directly from the above by the present owner in the 1980s. Join MutualArt to unlock sale information JOIN MUTUALART. Painting. La fine di Dio, 1964. La toile est peinte à l'huile de manière monochrome. 70 by 48 3/8 in. La fine di Dio reminds of a vast, dark universe with millions of shining stars that seem to be materializing and dispersing at the same time within the oval outline. From Rachofsky Private Collection , Lucio Fontana, Concetto spaziale, la fine di Dio (1964), Oil on canvas ... Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. 178 x 123 cm. Both Hitler and Fontana envisioned the end of God but from completely opposite positions. Painting. Fontana had first painted Concetto spaziale, La fine di Dio – at 178 cm high it is the height of the artist himself, and of the average male of the time, thus creating a revelatory, wholly immersive experience for the viewer – with his principal hue of bright, fresh pink monochrome oil paint, before covering this base with otherworldly copper-hued lustrini (‘glitter’), thereby creating an ever-changing and constant array … Dec 06, 2000. 65, Milan, Palazzo Reale, Lucio Fontana, 1972, p. 232, no. al. Concetto Spaziale, La fine di Dio is an oil and glitter on canvas piece executed in 1964, and exhibited worldwide, in Paris, London and New York. Lucio Fontana’s actions against the holy space of the canvas could be also seen as vandalism but rather they are a gesture to free and open up the history of painting. Lucio Fontana (1899-1968) , Concetto spaziale, La fine di Dio. Title. Fondazione Lucio Fontana. CONCETTO SPAZIALE, LA FINE DI DIO, FullFormat:,year,1963 oil on canvas . Auction Venue/Sale Sale Date. DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. With a single, deft juxtaposition, the history of iconoclasm takes an exponential leap. Dation, 1997. Concetto spaziale/La Fine di Dio is UB Only. La fine di Dio. : L. Fontana. press@gagosian.com, La fine di Dio: Maurizio Cattelan | Lucio Fontana. Foster, Hal, et. 63 FD 22, illustrated, Enrico Crispolti, Fontana: Catalogo Generale, Vol. El fin de Dios) (178 x 123cm.) 701/8 x 48½in. I, p. 80, no. Lucio Fontana, Concetto spaziale. Monochromes ovoïdes monumentaux de diverses couleurs et parfois couverts de paillettes, ils sont constellés de perforations qui mettent à nu l’espace entre la toile et son support. He then created an elaborate neon ceiling called "Luce spaziale" in 1951 for the Triennale in Milan. Concetto spaziale/La Fine di Dio. Save your favorite articles to read offline, sync your reading lists across devices and customize your reading experience with the official Wikipedia app. The exhibition puts in play two key artworks by two epochal artists who have probed the inextricable relationship of the sacred and profane to dramatic effect—Lucio Fontana, with his radical spatial propositions in the post-war period, and Maurizio Cattelan, with his dystopian pranks for the new millennium. Feb 10, 2005. Dal 1949, Fontana iniziò a produrre i suoi Concetti spaziali, opere in cui le superfici presentano fori sparsi e, talvolta, applicazioni di sassolini e vetri colorati. It dawned on me that these two different fini (ends) of God find perfect synthesis in Maurizio Cattelan’s HIM.—Francesco Bonami. Photo: Mike Bruce, A few years ago I was in the storage of the US Army Center of Military History in Washington DC and the curator showed me a painting by Hubert Lanzinger, The Standard Bearer from 1935. Olio su tela, 178,4 x 123,2 cm. Home Dopo Modigliani, è record anche per Fontana. Exhibition Catalogue, Paris, XXéme Siècle. Concetto spaziale la fine di Dio 1963-64. Concetto spaziale, La fine di Dio (63-FD.17), 1963, huile sur toile, 178 × 123 cm, MNAM, Paris; Concetto spaziale, Teatrino (65-TE.76), 1965, peinture vinylique sur toile et bois laqué, 200 × 200 cm, MNAM, Paris; Concetto spaziale, Teatrino, 1965, acrylique sur toile et bois laqué, 127 × 166 cm, Musée d'art de Toulon. waterpaint, oil and glitter on canvas. Fontana, Lucio. 178 by 123cm. Concetto spaziale Attese 1968. I Concetti spaziali. Concetto spaziale, La fine di Dio (63-FD.17) (Concept spatial, La fin de Dieu) [1963] Huile sur toile, perforations. In his important series of Concetto spaziale, La Fine di Dio (1963–64), Fontana uses the egg shape. Hitler created the most diabolical horror witnessed by humankind in modern times; Fontana worshipped and found inspiration in the marvels of the universe, that infinite space where even God could disappear. Provenance. Estimate . Concetto spaziale. Realized Price +95%. S.D.C. Here Concetto spaziale, La fine di Dio is the altar at which Cattelan’s HIM, the figure of small boy visible only from the back, turns out to be none other than Adolf Hitler, kneeling in impossible supplication before an impossible atonement. La présente œuvre fait partie d’une série de 38 toiles ovoïdes du même genre qui se déclinent en différentes couleurs et parfois recouvertes de paillettes. With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. LOGIN. The Darkness. Inscriptions : S.H.G. Fondazione Lucio Fontana. DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. Fontana Lucio Concetto spaziale La fine di Dio 1963. Da Christie’s New York, un grande ovale giallo del 1964 supera i 29 milioni di dollari On November 12, Christie's New York will offer Lucio Fontana's Concetto spaziale, La fine di Dio. [11][12] In his important series of Concetto spaziale, La Fine di Dio … Lucio Fontana. 63 FD 22, illustrated, Vol. L'anno successivo appoggia il … Rosario de Santa Fè, Argentina, 1899 – Comabbio, 1968. 63 FD 22, illustrated, Enrico Crispolti, Lucio Fontana, Catalogo Ragionato di Sculture, Dipinti, Ambientazioni, Vol. Nel 1934 entra a far parte del gruppo dei primi astrattisti italiani (con Melotti, Licini, Reggiani, Veronesi, Soldati, Ghiringhelli e Bogliardi) facenti capo alla Galleria del Milione. Acquired from the above by the previous owner in 2012, Brussels, Palais des Beaux-Arts, Lucio Fontana, 1972, no. CONCETTO SPAZIALE, LA FINE DI DIO. Login in to view item. Le opere pittoriche di questa sezione sono tutte realizzate su telai ovali della stessa dimensione e si distinguono per le costellazioni di "buchi"e/o squarci e/o graffiti che in alcuni casi interessano solo parte della tela monocroma, in altri ne caratterizzano tutta la superficie ricoperta di colore ad olio (a volte anche da lustrini). Cristina Celestino, la designer milanaise est sur tous les fronts. Photo: Mike Bruce, Installation view with Maurizio Cattelan, HIM (2001; left), and Lucio Fontana, Concetto spaziale, La fine di Dio (1963; right), Artwork, left to right: © Maurizio Cattelan, © Fondazione Lucio Fontana. Lucio Fontana’s Concetto Spaziale (Spatial Concepts), at their clear zenith with the La fine di Dio series, are “at once transcendent and technologizing, cosmic and material” (B. Fer, “Immodest Proposals: The Art of Lucio Fontana,” Artforum, November 2014, p. 238). View Concetto spaziale, La fine di Dio by Lucio Fontana on artnet. Executed in 1963. The exhibition takes its title from Fontana’s climactic painting of the early sixties, its hot pink, egg-shaped surface savaged by the thrusts of a sharp knife. Concetto Spaziale, La Fine Di Dio Sell Through Rate: 100% All auction results by Lucio Fontana all artworks for sale by Lucio Fontana Artist: Lucio Fontana. II, p. 137, no. below mid-estimate. The subject was a disturbing portrait of Adolf Hitler as Joan of Arc but what was most striking was the deep gash under his eye. Concetto spaziale, La fine di Dio (63-FD.17)(Concept spatial, La fin de Dieu) En 1963-1964, Lucio Fontana réalise un ensemble de tableaux, les « Fine di Dio ». La Fine di Dio (Concepto espacial. 30-lug-2015 - Lucio Fontana Concetto spaziale, 1951 Buchi, olio e sabbia su tela 60 × 59 cm Milano, Fondazione Lucio Fontana © Fondazione Lucio Fontana, Milano Provenance 184, illustrated, Angel Crespo, ‘El pensamiento y la obra de Lucio Fontana’, Forma Nueva/el Inmueble, No. signed and titled on the reverse. 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